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The male characters fell in love with the idea of a predefined woman and missed, in essence the women that were right under their noses. The shot that Wong Kar-Wai captured in the second cop's apartment in which the heroine hid on the wall in plain sight and the cop looked in the bathroom missing her completely was a fair characterization of the film. How about that for consistency of the way many of us dudes love? When we fall for women, we often fall for the idea of what they represent to us at the beginning rather than the reality of what she is. In the second story, the cop falls in love with a woman he doesn't even know. In his first 'May Relationship' he claims the failing was not knowing enough about her so he tries to 'get to know' more about his new 'blonde' love. More important than the relationship or the reason it didn't work is the aftermath and the acute dysfunction with which he approaches the next.

In the first story we don't really see anything of his relationship, we just see that he held on a little too long. Here the heroes both suffer from failed relationships.

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As a result, I am not sure I know how to properly grieve a failed relationship. Even those with men don't delve with any sophistication into the male heartbreak. Looking back on many of the romantic films I have enjoyed, I noticed that the main characters are usually women. Chunking was recommended to me by a friend of mine whose opinion I value, so I tried it again - and I believe I got it. There is something very personal and intimate about this film that I missed the first time I saw it. The Hong Kong cut was released on VHS/laserdisc by World Video and on VHS/LD/DVD by Mei Ah. The international cut is Wong's preferred version and has been used for most home video releases. The international version strips out the music (leaving only ambient noise), although 'Dreams' still appears at the end of the film. In the Hong Kong version, the Faye Wong cover of 'Dreams' plays over the shot of 663 drinking coffee.The sequence with Zhiwu loitering outside his girlfriend's window appears earlier in the international edit.

The international version includes the kidnapping of an Indian girl, which does not occur in the Hong Kong version.

Indian music plays during the smugglers' arrival at the airport in international prints in the Hong Kong version, the title theme plays.

The international version expands the scenes where The Blonde prepares for the smuggling trip and later searches for the smugglers.

'Kar Wai Wong' made several changes to the international version, bringing the running time to 102 minutes:

The original Hong Kong release ran 98 minutes.

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